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Index of authors

Papers are directly accessible as PDF files, by order of authors names, the index begin the left column.
The right column indicate the type of presentation: oral (or [slides] when available), or poster.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
[A]Abel Robust Design of Very High-Order Allpass Dispersion Filters [slides]
Jonathan S. Abel and Julius O. Smith
Arfib Using Visual Textures for Sonic Textures Production and Control [slides]
Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
Avanzini Exact Discrete-Time Realization of a Dolby B Encoding/Decoding Architecture (oral)
Federico Avanzini and Federico Fontana
[B]Bagci Inter Genre Similarity Modeling for Automatic Music Genre Classification (poster)
Ulas Bagci and Engin Erzin
Barthet Consistency of Timbre Patterns in Expressive Music Performance (oral)
Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
      [additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
Beller Real-Time Corpus-Based Concatenative Synthesis with CataRT [poster]
Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
Berdahl Some Physical Audio Effects (poster)
Edgar Berdahl and Julius O. Smith
      [additional resources at: http://ccrma.stanford.edu/~eberdahl/Projects/PhysicalEffects/]
Berger Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis (oral)
Woon Seung Yeo and Jonathan Berger
Bilbao Prepared Piano Sound Synthesis (oral)
Stefan Bilbao and John ffitch
Birnbaum Examining Design Goals of Digital Musical Instruments (poster)
Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
Blaauw Performance-Driven Control for Sample-Based Singing Voice Synthesis [poster]
Jordi Janer, Jordi Bonada, and Merlijn Blaauw
Blake Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo [slides][.zip]
Maurice Fallon, Simon Godsill, and Andrew Blake
      [additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
Bökesoy Feedback Implementation Within a Complex Event Generation System for Emergent Sonic Structures (oral)
Sinan Bökesoy
      [additional resources at: http://www.sonic-disorder.com/cosmosfdb-examples.zip]
Bonada Performance-Driven Control for Sample-Based Singing Voice Synthesis [poster]
Jordi Janer, Jordi Bonada, and Merlijn Blaauw
Bresson Sound Processing in OpenMusic (oral)
Jean Bresson
Briand Parametric Coding of Stereo Audio Based on Principal Component Analysis [slides 2.4Mo]
Manuel Briand, David Virette, and Nadine Martin
Britton Real-Time Corpus-Based Concatenative Synthesis with CataRT [poster]
Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
[C]Cook A New Paradigm for Sound Design (oral)
Ananya Misra, Perry R. Cook, and Ge Wang
      [additional resources at: http://taps.cs.princeton.edu/]
Cooperstock A Spatial Interface for Audio and Music Production (poster)
Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
Corteel On the Use of Irregularly Spaced Loudspeaker Arrays for Wave Field Synthesis, Potential Impact on Spatial Aliasing Frequency [slides]
Étienne Corteel
Couturier Using Visual Textures for Sonic Textures Production and Control [slides]
Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
[D]Daudet Representations of Audio Signals in Overcomplete Dictionaries: What is the Link Between Redundancy Factor and Coding Properties? (poster)
Emmanuel Ravelli and Laurent Daudet
De Sena The Mellin Pizzicator [slides]
Antonio De Sena and Davide Rocchesso
      [additional resources at: http://profs.sci.univr.it/~desena/FMT/]
Depalle A Stochastic State-Space Phase Vocoder for Synthesis of Roughness [poster]
Doug Van Nort and Philippe Depalle
Dressler Sinusoidal Extraction Using an Efficient Implementation of a Multi-Resolution FFT (oral)
Karin Dressler
Driessen Variable Pre-Emphasis LPC for Modeling Vocal Effort in the Singing Voice [poster]
Karl I. Nordstrom and Peter F. Driessen
      [additional resources at: http://www.ece.uvic.ca/~knordstr/dafx06/]
Dixon Onset Detection Revisited [slides]
Simon Dixon
Dusek Using Faust for FPGA Programming (poster)
Robert Trausmuth, Christian Dusek, and Yann Orlarey
[E]Eisenberg Granular Resynthesis for Sound Unmixing [poster]
Gunnar Eisenberg and Thomas Sikora
Erne Improved Cocktail-Party Processing (oral)
Alexis Favrot, Markus Erne, and Christof Faller
Erzin Inter Genre Similarity Modeling for Automatic Music Genre Classification (poster)
Ulas Bagci and Engin Erzin
Essl Circle Maps as a Simple Oscillators for Complex Behavior: II. Experiments (oral)
Georg Essl
Evangelista Fractal Modulation Effects (oral)
Gianpaolo Evangelista
      [additional resources at: http://staffwww.itn.liu.se/~giaev/soundexamples.html]
[F]Faller Improved Cocktail-Party Processing (oral)
Alexis Favrot, Markus Erne, and Christof Faller
Fallon Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo [slides][.zip]
Maurice Fallon, Simon Godsill, and Andrew Blake
      [additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
Favrot Improved Cocktail-Party Processing (oral)
Alexis Favrot, Markus Erne, and Christof Faller
ffitch Prepared Piano Sound Synthesis (oral)
Stefan Bilbao and John ffitch
Filatriau Using Visual Textures for Sonic Textures Production and Control [slides]
Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
Fontana Exact Discrete-Time Realization of a Dolby B Encoding/Decoding Architecture (oral)
Federico Avanzini and Federico Fontana
[G]Geiger Table Lookup Oscillators Using Generic Integrated Wavetables (poster)
Günter Geiger
Godsill Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo [slides][.zip]
Maurice Fallon, Simon Godsill, and Andrew Blake
      [additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
Real-Time Bayesian GSM Buzz Removal [slides]
Han Lin and Simon Godsill
      [additional resources at: http://www-sigproc.eng.cam.ac.uk/~hl309/dafx2006/]
Guastavino An Interdisciplinary Approach to Audio Effect Classification [slides]
Vincent Verfaille, Catherine Guastavino, and Caroline Traube
Guillemain Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator (oral)
Philippe Guillemain and Jonathan Terroir
      [additional resources at: http://www.lma.cnrs-mrs.fr/~guillemain/DAFX06/dafx06.htm]
Gurevich Parameterized Morphing as a Mapping Technique for Sound Synthesis (poster)
Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
[H]Hanna A New Analysis Method for Sinusoids+Noise Spectral Models [slides][.zip]
Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
      [additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
Hélie On the Use of Volterra Series for Efficient Real-Time Simulations of Weakly Nonlinear Analog Audio Devices: Application to the Moog Ladder Filter (oral)
Thomas Hélie
Holters Graphic Equalizer Design Using Higher-Order Recursive Filters [poster]
Martin Holters and Udo Zölzer
[J]Janer Performance-Driven Control for Sample-Based Singing Voice Synthesis [poster]
Jordi Janer, Jordi Bonada, and Merlijn Blaauw
[K]Kalinichenko Smooth and Safe Parameter Interpolation of Biquadratic Filters in Audio Applications (poster)
Victor Kalinichenko
Kelloniemi Frequency-Dependent Boundary Condition for the 3-D Digital Waveguide Mesh (poster)
Antti Kelloniemi
Kronland-Martinet Consistency of Timbre Patterns in Expressive Music Performance (oral)
Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
      [additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
[L]Lagrange Assessing the Quality of the Extraction and Tracking of Sinusoidal Components: Towards an Evaluation Methodology [slides]
Mathieu Lagrange and Sylvain Marchand
Laurson Multichannel Signal Representation in PWGLSynth (poster)
Mikael Laurson and Vesa Norilo
      [additional resources at: http://www2.siba.fi/PWGL/]
Lazzarini Streaming Frequency-Domain DAFx in Csound 5 [poster]
Victor Lazzarini, Joe Timoney, and Tom Lysaght
Cecilia and TclCsound (oral)
Jean Piché and Victor Lazzarini
Lin Real-Time Bayesian GSM Buzz Removal [slides]
Han Lin and Simon Godsill
      [additional resources at: http://www-sigproc.eng.cam.ac.uk/~hl309/dafx2006/]
Lokki Detection of Room Reflections from a Binaural Room Impulse Response (oral)
Sampo Vesa and Tapio Lokki
Lysaght Streaming Frequency-Domain DAFx in Csound 5 [poster]
Victor Lazzarini, Joe Timoney, and Tom Lysaght
[M]Malloch Examining Design Goals of Digital Musical Instruments (poster)
Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
Marchand A New Analysis Method for Sinusoids+Noise Spectral Models [slides][.zip]
Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
      [additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
Fast Additive Sound Synthesis Using Polynomials [slides]
Matthias Robine, Robert Strandh, and Sylvain Marchand
A Source Localization/Separation/Respatialization System Based on Unsupervised Classification of Interaural Cues [slides][.zip]
Joan Mouba and Sylvain Marchand
      [additional resources at: http://dept-info.labri.fr/~sm/DAFx06/]
Assessing the Quality of the Extraction and Tracking of Sinusoidal Components: Towards an Evaluation Methodology [slides]
Mathieu Lagrange and Sylvain Marchand
Martens Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects (poster)
William Martens and Marui, Atsushi
Martin Parametric Coding of Stereo Audio Based on Principal Component Analysis [slides 2.4Mo]
Manuel Briand, David Virette, and Nadine Martin
Marui Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects (poster)
William Martens and Marui, Atsushi
Meurisse A New Analysis Method for Sinusoids+Noise Spectral Models [slides][.zip]
Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
      [additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
Misra A New Paradigm for Sound Design (oral)
Ananya Misra, Perry R. Cook, and Ge Wang
      [additional resources at: http://taps.cs.princeton.edu/]
Mouba A Source Localization/Separation/Respatialization System Based on Unsupervised Classification of Interaural Cues [slides][.zip]
Joan Mouba and Sylvain Marchand
      [additional resources at: http://dept-info.labri.fr/~sm/DAFx06/]
Müller X-Micks - Interactive Real-Time Content Based Audio Processing [poster]
Norbert Schnell, Diemo Schwarz, and Remy Müller
Murphy Archaeological Acoustic Space Measurement for Convolution Reverberation and Auralization Applications (oral)
Damian T. Murphy
      [additional resources at: http://www.boothambar.org.uk/]
High Accuracy Frame-by-Frame Non-Stationary Sinusoidal Modelling (oral)
Jeremy J. Wells and Damian T. Murphy
[N]Nordstrom Variable Pre-Emphasis LPC for Modeling Vocal Effort in the Singing Voice [poster]
Karl I. Nordstrom and Peter F. Driessen
      [additional resources at: http://www.ece.uvic.ca/~knordstr/dafx06/]
Norilo Multichannel Signal Representation in PWGLSynth (poster)
Mikael Laurson and Vesa Norilo
      [additional resources at: http://www2.siba.fi/PWGL/]
[O]Orlarey Using Faust for FPGA Programming (poster)
Robert Trausmuth, Christian Dusek, and Yann Orlarey
[P]Parson Real-Time Detection of Finger Picking Musical Structures [slides]
Dale E. Parson
Peeters Musical Key Estimation of Audio Signal Based on Hidden Markov Modeling of Chroma Vectors (oral)
Geoffroy Peeters
Pendharkar Parameterized Morphing as a Mapping Technique for Sound Synthesis (poster)
Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
Penttinen On the Dynamics of the Harpsichord and its Synthesis [slides]
Henri Penttinen
      [additional resources at: http://www.acoustics.hut.fi/publications/papers/dafx2006-harpsichord-dynamics/]
Piché Cecilia and TclCsound (oral)
Jean Piché and Victor Lazzarini
[R]Rauhala Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters (oral)
Jukka Rauhala and Vesa Välimäki
      [additional resources at: http://www.acoustics.hut.fi/demos/ext-disp/]
Ravelli Representations of Audio Signals in Overcomplete Dictionaries: What is the Link Between Redundancy Factor and Coding Properties? (poster)
Emmanuel Ravelli and Laurent Daudet
Röbel Adaptive Noise Level Estimation (oral)
Chunghsin Yeh and Axel Röbel
Robine Fast Additive Sound Synthesis Using Polynomials [slides]
Matthias Robine, Robert Strandh, and Sylvain Marchand
Rocchesso The Mellin Pizzicator [slides]
Antonio De Sena and Davide Rocchesso
      [additional resources at: http://profs.sci.univr.it/~desena/FMT/]
[S]Sandler Error Compensation in Modeling Time-Varying Sinusoids [poster]
Xue Wen and Mark Sandler
Scavone A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides (oral)
Gary Scavone and Julius O. Smith
Schnell X-Micks - Interactive Real-Time Content Based Audio Processing [poster]
Norbert Schnell, Diemo Schwarz, and Remy Müller
Schwarz X-Micks - Interactive Real-Time Content Based Audio Processing [poster]
Norbert Schnell, Diemo Schwarz, and Remy Müller
Real-Time Corpus-Based Concatenative Synthesis with CataRT [poster]
Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
Settel A Spatial Interface for Audio and Music Production (poster)
Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
Sikora Granular Resynthesis for Sound Unmixing [poster]
Gunnar Eisenberg and Thomas Sikora
Sinyor Examining Design Goals of Digital Musical Instruments (poster)
Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
Smith Discretization of the '59 Fender Bassman Tone Stack [slides]
David T. Yeh and Julius O. Smith
Robust Design of Very High-Order Allpass Dispersion Filters [slides]
Jonathan S. Abel and Julius O. Smith
A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides (oral)
Gary Scavone and Julius O. Smith
Some Physical Audio Effects (poster)
Edgar Berdahl and Julius O. Smith
      [additional resources at: http://ccrma.stanford.edu/~eberdahl/Projects/PhysicalEffects/]
Stӗpánek Musical Sound Timbre: Verbal Description and Dimensions (oral)
Jan Stӗpánek
Strandh Fast Additive Sound Synthesis Using Polynomials [slides]
Matthias Robine, Robert Strandh, and Sylvain Marchand
[T]Terroir Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator (oral)
Philippe Guillemain and Jonathan Terroir
      [additional resources at: http://www.lma.cnrs-mrs.fr/~guillemain/DAFX06/dafx06.htm]
Timoney Streaming Frequency-Domain DAFx in Csound 5 [poster]
Victor Lazzarini, Joe Timoney, and Tom Lysaght
Traube An interdisciplinary Approach to Audio Effect Classification [slides]
Vincent Verfaille, Catherine Guastavino, and Caroline Traube
Trausmuth Using Faust for FPGA Programming (poster)
Robert Trausmuth, Christian Dusek, and Yann Orlarey
[U]Usher Extraction and Removal of Percussive Sounds from Musical Recordings (poster)
John Usher
[V]Välimäki Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters (oral)
Jukka Rauhala and Vesa Välimäki
      [additional resources at: http://www.acoustics.hut.fi/demos/ext-disp/]
Van Nort A Stochastic State-Space Phase Vocoder for Synthesis of Roughness [poster]
Doug Van Nort and Philippe Depalle
Verbrugghe Real-Time Corpus-Based Concatenative Synthesis with CataRT [poster]
Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
Verfaille An interdisciplinary Approach to Audio Effect Classification [slides]
Vincent Verfaille, Catherine Guastavino, and Caroline Traube
Vesa Detection of Room Reflections from a Binaural Room Impulse Response (poster)
Sampo Vesa and Tapio Lokki
Vicinanza Synthesis by Arcs on the Unit Circle (oral)
Vittorio Cafagna and Domenico Vicinanza
      [additional resources at: http://www.musicainaudita.it/arcosinti]
Virette Parametric Coding of Stereo Audio Based on Principal Component Analysis [slides 2.4Mo]
Manuel Briand, David Virette, and Nadine Martin
[W]Wanderley Examining Design Goals of Digital Musical Instruments (poster)
Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
Wang A New Paradigm for Sound Design (oral)
Ananya Misra, Perry R. Cook, and Ge Wang
      [additional resources at: http://taps.cs.princeton.edu/]
Wells High Accuracy Frame-by-Frame Non-Stationary Sinusoidal Modelling (oral)
Jeremy J. Wells and Damian T. Murphy
Wen Error Compensation in Modeling Time-Varying Sinusoids [poster]
Xue Wen and Mark Sandler
Wise The Modified Chamberlin and Zölzer Filter Structures [poster]
Duane K. Wise
Wozniewski A Spatial Interface for Audio and Music Production (poster)
Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
Wyse Parameterized Morphing as a Mapping Technique for Sound Synthesis (poster)
Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
[Y]Yeh, C. Adaptive Noise Level Estimation (oral)
Chunghsin Yeh and Axel Röbel
Yeh, D. T. Discretization of the '59 Fender Bassman Tone Stack [slides]
David T. Yeh and Julius O. Smith
Yeo Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis (oral)
Woon Seung Yeo and Jonathan Berger
Ystad Consistency of Timbre Patterns in Expressive Music Performance (oral)
Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
      [additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
[Z]Zölzer Graphic Equalizer Design Using Higher-Order Recursive Filters [poster]
Martin Holters and Udo Zölzer


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